Monday, July 16, 2012
Friday, July 13, 2012
Tuesday, July 10, 2012
Golden Fields
For a fleeting moment last night I was 14 years old again, the evening had that hot, humid feel of a Virginia summer and the air was heavy with the sweet smell of just-cut hay. It’s remarkable how a smell can transport one so completely to another time and place. I was bumping along in a hay wagon full of laughing children. Maybe I was swinging off the rafters of the barn into the stacks of bailed hay. Or perhaps we were all just sitting on the wide porch of The Farm. The lightning bugs flashing around the square bales of hay all tidy in the fields between the house and the river, the last of the day’s heat bringing out the perfume of the day’s mowed fields.
Those memories were brought on as we passed through a pocket of hay perfume. It has been a fantastic year for hay here in the Perigord Vert. After last year’s drought and heat, this year’s record rains have the farmers practically drowning in round bails of highly nutritious feed. Our neighbor’s fields yielded 4 scrawny bails last year. This year there are 14 great round bails waiting to be taken into the barn. There will be some contented cows. It feels good to see this wealth of food. The industry with which the farmers gather and move these mammoth bales continually animates the landscape and gives all of us a boost of energy. As we travel around there is not one corner that we pass through but where the horizon is dotted with round balls. The funny thing is that, in this hilly region, these rolled giants seem to be poised on the edge of a good long tumble down the slopes and into the streams and gullies.
But not all of the fields are for hay. In many other fields, flowing down other hills, and climbing to other ridge tops we are dazzled by the king of color: gold! These dry, sunny days are bringing on the wheat harvest. Cutting the tawny colored wheat reveals the gold straw stalks. Rolling the straw into bales concentrates the color.
There is something magical and special about this color of gold. It is a color that transports me back to an even younger age of childhood. Five, six years old. Tucked in for a bedtime story. How many times I asked to hear the story of Rumpelstiltskin and the princess that must turn straw into gold and the little imp that did just that for her. Here in a land of castles, towers and fortified farms it seemes quite possible that Rumpelstiltskin is still at work spinning straw into glorious gold.
Saturday, July 7, 2012
Monday, July 2, 2012
Festival of Occitane
Welcome to the first annual Bourdeilles Festival of the Occitane Language!
You ask, “What is the Occitane Language?”
Well France has not always been France. For a long period of time southern France was essentially another country, with it’s own language. It was a language influenced by Latin, Germanic and French influences. It wasn’t until Napoleon commanded that all French citizens speak French, a language created and controlled from distant Paris, that the many dialects of Occitanes began to disappear, only lingering on in the patois of the nooks and crannies of southern France.
This three-day festival was to celebrate the culture and language of Occitane so that it is safeguarded and valued.
But being a first time event there were a few things to be worked out.
To start with, there is a unspoken rivalry between the people that still speak patois with it’s strong links to Occitane and the people who are studying Occitane as an intellectual pursuit. Sitting in a conference during the three-day festival I would hear undulating waves of whispers as locals would react to the way the presenter was pronouncing words.The whispers would raise a little in volume as the audience would disagree on the most correct pronunciation. The variations in patois were very localized. The old timers can tell if someone is from Bourdeilles, or Nontron (20 km away north) or Vergt (20 km south) by just hearing a few words and the accents used.
There was another undercurrent of “us against them” attached to the festival. For the most part it was the younger generation that conceived and executed this festival. So there were some issues for the older generation, whos job in a small village is to always have issues. There was the most obvious panic against what would be -- regardless of style-- the VERY loud music that would be a big part of the festival. And then there is the weird conceptual art that pops up like mushrooms every time we have a festival. This weekend found two enormously fat ladies with bosoms the size of basketballs frolicking in the river. Fortunately they were in cast aluminum. Oh, my! there is the fact that it is the young people who will be decorating the streets (Dresses hanging buildings, colorful rags streaming across the town square, indescribable plaster statues lining the street.) And, of course, goodness knew what kind of wild young people would be coming to this festival. I heard a few rumblings that the art was mocking the hard times that the elder generation had lived through. There were some ruffled feathers when invitations to the opening ceremonies were not delivered in a timely fashion.
But in the end the ambitious schedule was followed and everyone was able to find at least one activity that immersed them in some way into the sense of a lively village fair. Who could resists falling into the magic night time revelry? There was singing and dancing under with the sliver of a new moon hanging over the chateau tower. The light from the blazing feu de St. Jean illuminated the forms of children and adults, casting velvety shadows against ancient stone walls. The beat of timeless rhythms drifted down the streets of Bourdeilles and the river Dronne.
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